Posted on October 3, 2014 by School of Art
Posted on October 3, 2014 by School of Art
Posted on October 1, 2014 by School of Art
CSULB alumni and adjunct professor Kiel Johnson will be having a solo exhibition at the Mark Moore gallery in Santa Monica from October 2 through November 8, 2014. Entitled Walldayallday, the show will focus on new drawings based on “the sophisticated organization of structures and systems of bee populations…[which] serve as a simulacrum of the intricate, yet chaotic, systems of organization present in contemporary industrialized society.” For more information, please click here.
Posted on September 30, 2014 by School of Art
Recent CSULB Drawing & Painting graduate Allison Anderson has been selected for the 2014 VSA Emerging Young Artists Program. She was given the Award for Excellence for her work Promise, 2014. Her painting will hang in the Smithsonian Museum, as well as travel around the country in an exhibition with this year’s theme being The Journey. Congratulations to Ms. Anderson! For more information, please click here.
Posted on September 29, 2014 by School of Art
Over the weekend, animation students competed in the tenth annual 24-Hour Animation contest, the brainchild of CSULB Animation professor Aubry Mintz. On friday, September 26 at 5pm, Prof. Mintz announced this year’s theme, a quote from George Orwell’s Animal Farm, “All animals are equal, but some animals are more equal than others.” From there over 250 students across the nation (and for the first time this year, internationally) will work through the night to conceptualize and complete an animated film in a nearly impossible amount of time. “To do this in 24 hours is stupid,” Mintz said, laughing. “It’s ridiculous.” Students worked throughout the night, and 52 teams from 13 schools all over the country as well as Canada and Australia created half-minute shorts based on this years theme. For more information, click here; for the films, please click here. To find out the winner, please click here.
Posted on September 25, 2014 by School of Art
Four CSULB Art Alumni are taking part in “ArtWatch 2014: Young Careers – SB to Greater LA” at the Westmont Ridley-Tree Museum of Art in Santa Barbara. Alumni Julia Haft-Candell, Nathan Huff, Kiel Johnson, and Devon Tsuno were all featured alongside Stephanie Dotson, Laura Krifka, Chris Rupp, and Liat Yossifor as artists-to-watch. The exhibition will be on view from September 25 until November 22, 2014. For more information, please click here.
Posted on September 23, 2014 by School of Art
Marine Projects presents “My Self is An Other”, a group show curated by Claressinka Anderson and Sonny Ruscha Granade taking place at The Underground Museum in the West Adams/Crenshaw district of Los Angeles. Featuring artists Kendell Carter, Rives Granade, Alexandra Grant, Dennis Koch and April Street, the work looks at the self in myriad literal and subtle ways. A key work in the show is a collaborative WEave painting initiated by Carter and completed by all the artists in the show. Individual latex sheets of paint are woven together with a sheet containing Carter’s marks, creating a painting constructed from each of the artists’ authentic subjectivities. the work in this exhibition is interested in the psychological pathways that open up to the possibility of a collective self. The opening party will be on October 4, 2014 from 6-9pm. For more information, please click here.
Posted on September 17, 2014 by School of Art
As part of this year’s Art and Science (AxS) Festival in Pasadena, whose theme is “Curiosity,” the Gamble House has collaborated with the Pasadena Arts Council and Machine Project of Los Angeles to present a special 17-day artist intervention in Pasadena’s world-renowned historic landmark. On September 23, artist Ryan Taber will conduct three tours of the house, the first entitled the “Materiality and Signification Tour,” which he will focus on the front entry hall, back terrace and upstairs hallway through the use of a scale model of the staircase and samples of different species of woods. The “Joinery and Decoration Tour” will consist of a partial tour of the house focusing on the Attic “Billiards” room, the crawl spaces, the upstairs guest bedroom and the master bedroom. This tour will be conducted during the day and will feature samples of timber frame joinery cultural traditions as well as samples of different species of wood. Lastly the “Tone and Cadence Tour” will take place after dark and will feature content from the other two tours, as well as information about the houses artificial lighting and leaded art glass. A component of this tour will be conducted in the dark, with flashlights. There will be other projects and interventions by other artists until October 5, 2014. For more information, please click here.
Posted on September 16, 2014 by School of Art
“Sculpting in Time,” an exhibition in the Glendale Community College Art Gallery and curated by Annie Mann will be displayed September 16 through October 9. The exhibition features works in clay by Tanya Batura, Julia Haft-Candell, Krysten Cunningham, Emily Sudd and Kim Tucker. A reception for the artists will be held Sunday, Oct. 5 from 3 to 5 p.m. The gallery is located in the Library Building. Hours are Monday through Thursday from 12 to 5 p.m. and Friday from 10 a.m. to 2 p.m. For more information, click here.
Posted on September 11, 2014 by School of Art
LOS ANGELES TIMES ART CRITIC
“Another Thing Coming: New Sculpture in L.A.” is the kind of exhibition more museums should do, and more often. It checks in on the status of a misplaced but provocative artistic thread, providing a welcome update.
Nine years ago, the UCLA Hammer Museum made waves with “Thing,” a survey of 20 younger, L.A.-based artists. The show chronicled a return to prominence of object-sculpture — an artistic category that had taken a back seat to installation-oriented sculpture, video, photography and even painting since the 1970s.
The Torrance Art Museum’s “Another Thing Coming” shows that, a decade later, object-sculpture is alive and well. If it doesn’t have the punch of the Hammer show, that’s probably because it lacks the earlier outing’s element of discovery and surprise. Instead, guest curators Jason Ramos and Megan Sallabedra take satisfying note of a continuing evolution in the work of 14 artists.
At least two recurrent themes turn up. One is a consideration of traditional crafts in relation to sculpture. The other is an emphasis on hybridity instead of purity. Both are often encountered in a single work.
The use of glazed clay by Mary Hill and Christopher Miles — the former to pile sexually suggestive bananas and melons on a broken phallic obelisk, the latter to fashion crypto-mechanical floral creatures — extols the handmade virtues of ceramics, sculpture’s oldest manifestation, to ruminate on distinctly up-to-date questions. (Miles, perhaps not incidentally, was a co-curator of the Hammer’s “Thing.”) In “Psychic Grotto V,” a lumpen little cave of hand-formed strips of muddy brown and dark green clay, Anna Sew Hoy fashions a grim little model for an anti-Romantic hideaway from modern life.
In “Another Thing,” shades of “Thing” are most evident in Noah Thomas’ sculptures. Handmade forms are integrated into the limbs and branches of fallen trees in works loosely reminiscent of sculptures by Krysten Cunningham and Lara Schnitger from the earlier show. But Thomas takes off into his own peculiar dimension by inserting tiny electric fans within the tree limbs, turning a sculpture suspended from the ceiling into a cross between a Calder mobile and a military hovercraft.
For full review, please click here.
Posted on September 8, 2014 by School of Art
CSULB Photography Professor Todd Gray will have a solo exhibition at the Meliksetian Briggs gallery. Entitled Exquisite Terribleness, a photo installation created from the reexamination of his extensive photographic archive of images he’s made in Los Angeles and Ghana. “In this latest body of work, the fourth examination of this archive, Gray has re-imagined and literally re-framed the photos of Jackson together with his documentary work from Ghana, where he maintains a studio, using weathered, antique frames that once hung on the walls of homes in South Los Angeles. This resulting work is autobiographical, and uses the language and signifiers of popular culture and spectacle to draw in the viewer, blurring the boundaries of pop culture and fine art, aesthetics and rational structure and refusing to collapse into a simple binary opposition.” The exhibition will open September 11 and continue until October 18, 2014. For more information, please click here.
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